{"componentChunkName":"component---src-templates-author-js","path":"/author/artreview/310/","result":{"data":{"allWordpressPost":{"nodes":[{"wordpress_id":32963,"title":"Susan Rothenberg, 1945–2020","excerpt":"The painter known for her sparse figuration has died ","path":"/susan-rothenberg-1945-2020/","date":"20 May 2020","format":"standard","branch":null,"author":{"name":"ArtReview","path":"/author/artreview/"},"category":{"name":"News"},"featured_media":{"source_url":"https://backend.artreview.com/wp-content/uploads/2020/05/rothenberg_double_masked_heads.jpg","caption":"Susan Rothenberg, Double Masked Heads, 1974, acrylic and tempera on canvas. Collection The Broad","alt_text":"","media_details":{"width":1316,"height":1080,"sizes":{"thumbnail":{"source_url":"https://backend.artreview.com/wp-content/uploads/2020/05/rothenberg_double_masked_heads-300x246.jpg","width":300,"height":246},"medium":{"source_url":"https://backend.artreview.com/wp-content/uploads/2020/05/rothenberg_double_masked_heads-600x492.jpg","width":600,"height":492},"large":{"source_url":"https://backend.artreview.com/wp-content/uploads/2020/05/rothenberg_double_masked_heads-1230x1009.jpg","width":1230,"height":1009},"wordpress_1536x1536":null,"wordpress_2048x2048":null}}},"acf":{"article_collaboration":"","article_video":null,"article_audio":null}},{"wordpress_id":32837,"title":"Venice Biennale postponed","excerpt":"Art biennale shifts for architecture exhibition ","path":"/venice-biennale-postponed/","date":"18 May 2020","format":"standard","branch":{"name":"artreview.com"},"author":{"name":"ArtReview","path":"/author/artreview/"},"category":{"name":"News"},"featured_media":{"source_url":"https://backend.artreview.com/wp-content/uploads/2020/05/Giardini-central-pavilion.jpg","caption":"The Giardini at the Venice Biennale","alt_text":"","media_details":{"width":1024,"height":683,"sizes":{"thumbnail":{"source_url":"https://backend.artreview.com/wp-content/uploads/2020/05/Giardini-central-pavilion-300x200.jpg","width":300,"height":200},"medium":{"source_url":"https://backend.artreview.com/wp-content/uploads/2020/05/Giardini-central-pavilion-600x400.jpg","width":600,"height":400},"large":null,"wordpress_1536x1536":null,"wordpress_2048x2048":null}}},"acf":{"article_collaboration":"","article_video":null,"article_audio":null}},{"wordpress_id":32823,"title":"International Museum Day goes virtual","excerpt":"","path":"/international-museum-day-goes-virtual/","date":"18 May 2020","format":"standard","branch":{"name":"artreview.com"},"author":{"name":"ArtReview","path":"/author/artreview/"},"category":{"name":"News"},"featured_media":{"source_url":"https://backend.artreview.com/wp-content/uploads/2020/05/Medieval_and_Renaissance_Galleries_VA_Room_50a.jpg","caption":"Victoria and Albert Museum, London, 2014.","alt_text":"UK government to review independence of arts funding, V&A’s impartiality questioned","media_details":{"width":2460,"height":1200,"sizes":{"thumbnail":{"source_url":"https://backend.artreview.com/wp-content/uploads/2020/05/Medieval_and_Renaissance_Galleries_VA_Room_50a-300x146.jpg","width":300,"height":146},"medium":{"source_url":"https://backend.artreview.com/wp-content/uploads/2020/05/Medieval_and_Renaissance_Galleries_VA_Room_50a-600x293.jpg","width":600,"height":293},"large":{"source_url":"https://backend.artreview.com/wp-content/uploads/2020/05/Medieval_and_Renaissance_Galleries_VA_Room_50a-1230x600.jpg","width":1230,"height":600},"wordpress_1536x1536":{"source_url":"https://backend.artreview.com/wp-content/uploads/2020/05/Medieval_and_Renaissance_Galleries_VA_Room_50a-1536x749.jpg","width":1536,"height":749},"wordpress_2048x2048":{"source_url":"https://backend.artreview.com/wp-content/uploads/2020/05/Medieval_and_Renaissance_Galleries_VA_Room_50a-2048x999.jpg","width":2048,"height":999}}}},"acf":{"article_collaboration":"","article_video":null,"article_audio":null}},{"wordpress_id":32779,"title":"Artworld News Roundup, 17–22 May 2020","excerpt":"Collaborations, prizes, people moves","path":"/artworld-news-roundup-17-22-may-2020/","date":"18 May 2020","format":"standard","branch":{"name":"artreview.com"},"author":{"name":"ArtReview","path":"/author/artreview/"},"category":{"name":"News"},"featured_media":{"source_url":"https://backend.artreview.com/wp-content/uploads/2020/05/28rothko-item-superJumbo.jpg","caption":"A rendering of the chapel with the new skylight. Courtesy Kate Rothko Prizel & Christopher Rothko/Artists Rights Society (ARS), New York; Architecture Research Office","alt_text":"","media_details":{"width":2048,"height":1711,"sizes":{"thumbnail":{"source_url":"https://backend.artreview.com/wp-content/uploads/2020/05/28rothko-item-superJumbo-300x251.jpg","width":300,"height":251},"medium":{"source_url":"https://backend.artreview.com/wp-content/uploads/2020/05/28rothko-item-superJumbo-600x501.jpg","width":600,"height":501},"large":{"source_url":"https://backend.artreview.com/wp-content/uploads/2020/05/28rothko-item-superJumbo-1230x1028.jpg","width":1230,"height":1028},"wordpress_1536x1536":{"source_url":"https://backend.artreview.com/wp-content/uploads/2020/05/28rothko-item-superJumbo-1536x1283.jpg","width":1536,"height":1283},"wordpress_2048x2048":null}}},"acf":{"article_collaboration":"","article_video":null,"article_audio":null}},{"wordpress_id":32786,"title":"Juan Genovés, 1930–2020","excerpt":"The Spanish artist, who chronicled the end of fascism, has died","path":"/juan-genoves-1930-2020/","date":"18 May 2020","format":"standard","branch":{"name":"artreview.com"},"author":{"name":"ArtReview","path":"/author/artreview/"},"category":{"name":"News"},"featured_media":{"source_url":"https://backend.artreview.com/wp-content/uploads/2020/05/genove.jpg","caption":"Juan Genovés, El abrazo (The Embrace), 1976. Courtesy Museo Nacional Centro de Arte Reina Sofía","alt_text":"","media_details":{"width":1550,"height":1155,"sizes":{"thumbnail":{"source_url":"https://backend.artreview.com/wp-content/uploads/2020/05/genove-300x224.jpg","width":300,"height":224},"medium":{"source_url":"https://backend.artreview.com/wp-content/uploads/2020/05/genove-600x447.jpg","width":600,"height":447},"large":{"source_url":"https://backend.artreview.com/wp-content/uploads/2020/05/genove-1230x917.jpg","width":1230,"height":917},"wordpress_1536x1536":{"source_url":"https://backend.artreview.com/wp-content/uploads/2020/05/genove-1536x1145.jpg","width":1536,"height":1145},"wordpress_2048x2048":null}}},"acf":{"article_collaboration":"","article_video":null,"article_audio":null}},{"wordpress_id":32781,"title":"Austrian culture minister quits","excerpt":"Ulrike Lunacek faced criticism over pandemic response ","path":"/austrian-culture-minster-quits-amid-criticism/","date":"18 May 2020","format":"standard","branch":{"name":"artreview.com"},"author":{"name":"ArtReview","path":"/author/artreview/"},"category":{"name":"News"},"featured_media":{"source_url":"https://backend.artreview.com/wp-content/uploads/2020/05/45303Fitok3Ds-cpHSs-.jpg","caption":"Ulrike Lunacek. Photo: European Parliament audiovisual","alt_text":"","media_details":{"width":800,"height":450,"sizes":{"thumbnail":{"source_url":"https://backend.artreview.com/wp-content/uploads/2020/05/45303Fitok3Ds-cpHSs--300x169.jpg","width":300,"height":169},"medium":{"source_url":"https://backend.artreview.com/wp-content/uploads/2020/05/45303Fitok3Ds-cpHSs--600x338.jpg","width":600,"height":338},"large":null,"wordpress_1536x1536":null,"wordpress_2048x2048":null}}},"acf":{"article_collaboration":"","article_video":null,"article_audio":null}},{"wordpress_id":32578,"title":"MoMA protests destruction of Norway's Picasso murals","excerpt":"Curators write to Norwegian prime minister pleading for a reprieve","path":"/moma-protests-destruction-of-norways-picasso-murals/","date":"14 May 2020","format":"standard","branch":{"name":"artreview.com"},"author":{"name":"ArtReview","path":"/author/artreview/"},"category":{"name":"News"},"featured_media":{"source_url":"https://backend.artreview.com/wp-content/uploads/2020/05/Y-blokken_mot_Akersgata.jpg","caption":"The Fisherman on the Y-block. Courtesy: Wikimedia Commons","alt_text":"","media_details":{"width":2460,"height":1200,"sizes":{"thumbnail":{"source_url":"https://backend.artreview.com/wp-content/uploads/2020/05/Y-blokken_mot_Akersgata-300x146.jpg","width":300,"height":146},"medium":{"source_url":"https://backend.artreview.com/wp-content/uploads/2020/05/Y-blokken_mot_Akersgata-600x293.jpg","width":600,"height":293},"large":{"source_url":"https://backend.artreview.com/wp-content/uploads/2020/05/Y-blokken_mot_Akersgata-1230x600.jpg","width":1230,"height":600},"wordpress_1536x1536":{"source_url":"https://backend.artreview.com/wp-content/uploads/2020/05/Y-blokken_mot_Akersgata-1536x749.jpg","width":1536,"height":749},"wordpress_2048x2048":{"source_url":"https://backend.artreview.com/wp-content/uploads/2020/05/Y-blokken_mot_Akersgata-2048x999.jpg","width":2048,"height":999}}}},"acf":{"article_collaboration":"","article_video":null,"article_audio":null}}]}},"pageContext":{"wordpress_id":460,"limit":7,"skip":2163,"pageNumber":310,"basePath":"/author/artreview/","numPages":317,"name":"ArtReview","description":""}},"staticQueryHashes":["1047144546","1199547381","1199547381","1200741782","1200741782","2238591713","3764592887","4156135988","753543242","753543242","919364628"]}