{"componentChunkName":"component---src-templates-author-js","path":"/author/qingyuan-deng/2/","result":{"data":{"allWordpressPost":{"nodes":[{"wordpress_id":91134,"title":"Javier Téllez’s Mise en Abyme","excerpt":"From Chaplin and Kafka to the Atlas of Venezuela, Téllez’s new film ‘Amerika’ examines our eroded political systems","path":"/javier-tellez-amerika-research-and-alliances-new-york-review-qingyuan-deng/","date":"22 October 2024","format":"standard","branch":{"name":"ArtReview"},"author":{"name":"Qingyuan Deng","path":"/author/qingyuan-deng/"},"category":{"name":"Reviews"},"featured_media":{"source_url":"https://backend.artreview.com/wp-content/uploads/2024/10/CARA_95-scaled.jpg","caption":"Javier Téllez, <em>AMERIKA</em>, 2024, film installation (velour curtains, screen, carpet, movie theatre seats, flag, wood, metal bracket), 16mm transferred to digital film, colour, black and white, sound, 23 min 46 sec. Photo: Kris Graves. Courtesy Center for Art, Research and Alliances, New York","alt_text":"","media_details":{"width":2560,"height":1829,"sizes":{"thumbnail":{"source_url":"https://backend.artreview.com/wp-content/uploads/2024/10/CARA_95-300x214.jpg","width":300,"height":214},"medium":{"source_url":"https://backend.artreview.com/wp-content/uploads/2024/10/CARA_95-600x429.jpg","width":600,"height":429},"large":{"source_url":"https://backend.artreview.com/wp-content/uploads/2024/10/CARA_95-1230x879.jpg","width":1230,"height":879},"wordpress_1536x1536":{"source_url":"https://backend.artreview.com/wp-content/uploads/2024/10/CARA_95-1536x1097.jpg","width":1536,"height":1097},"wordpress_2048x2048":{"source_url":"https://backend.artreview.com/wp-content/uploads/2024/10/CARA_95-2048x1463.jpg","width":2048,"height":1463}}}},"acf":{"article_collaboration":"","article_video":null,"article_audio":null}}]}},"pageContext":{"wordpress_id":867,"limit":7,"skip":7,"pageNumber":2,"basePath":"/author/qingyuan-deng/","numPages":2,"name":"Qingyuan Deng","description":"Qingyuan Deng is a curator and writer based between New York and Shanghai. He specialises in time-based media and performance art, often paying attention to socially engaged practices by artists of Asian diaspora and ways in which affect, technology, and politics of memory intersect. He has contributed writings for publications and institutions such as Artforum, Frieze, Flash Art, ArtAsiaPacific, and Hartwig Art Foundation. He has curated exhibitions at commercial galleries and institutions such as BANK and Art in General."}},"staticQueryHashes":["1047144546","1199547381","1199547381","1200741782","1200741782","2238591713","3764592887","4156135988","753543242","753543242","919364628"]}