“I’m asking audiences to come and see and understand my history, see how everything is connected, and how even my war is also connected with everything”
Over the past 50 years the artist has built up a body of work at once disarming and tender; one that, above all else, makes us think about how we see the world and our place within it
From 2000: The artist had a Tate St Ives residency in 1998/99 when she worked from a temporary studio improvised in the lifeguard’s hut. Here, she recounts her experience
From 2012: Resonating throughout the exhibition is a belief that ideas ask for a physical form and that we always think with the help of the material world
