Last year, the artist staged an adaptation of Othello. Now she returns to the Venetian general with Soft You, expanding on the play’s ideas of identity, perception and fear
From 2000: The artist had a Tate St Ives residency in 1998/99 when she worked from a temporary studio improvised in the lifeguard’s hut. Here, she recounts her experience
From 2012: Resonating throughout the exhibition is a belief that ideas ask for a physical form and that we always think with the help of the material world
