A new show at Museum of Art and Photography, Bengaluru reveals the commercial and colonial interests masked by historical ventures of scientific curiosity
Ocean Space’s discursive new programme in Venice opens with a conversation between Khadija von Zinnenburg Carroll and Verena Melgarejo Weinandt, moderated by ArtReview editor-in-chief Mark Rappolt
From 2000: The artist had a Tate St Ives residency in 1998/99 when she worked from a temporary studio improvised in the lifeguard’s hut. Here, she recounts her experience
From 2012: Resonating throughout the exhibition is a belief that ideas ask for a physical form and that we always think with the help of the material world
