‘New Humans’ at the reopened New Museum misses a crucial distinction underpinning our technological age – that of the bodies that are encased and the ones designing the cages
Artist Khaled Sabsabi and curator Michael Dagostino discuss their project, conference of one’s self for the Australia Pavilion at the 61st Venice Biennale
From 2000: The artist had a Tate St Ives residency in 1998/99 when she worked from a temporary studio improvised in the lifeguard’s hut. Here, she recounts her experience
From 2012: Resonating throughout the exhibition is a belief that ideas ask for a physical form and that we always think with the help of the material world
