What’s happening is less the corruption of a sacrosanct form of play than the interactive medium’s return to, and reentanglement with, its military roots
What happens when forms of queer life, once historically sustained through obscurity and ephemerality, become part of a widely circulated visual record?
From 2000: The artist had a Tate St Ives residency in 1998/99 when she worked from a temporary studio improvised in the lifeguard’s hut. Here, she recounts her experience
From 2012: Resonating throughout the exhibition is a belief that ideas ask for a physical form and that we always think with the help of the material world
