ArtReview editor-in-chief Mark Rappolt spoke to the Fondazione’s artistic director Alessandro Rabottini and curator Leonardo Bigazzi in Venice about the trilogy’s concluding exhibition
The Uzbek filmmaker’s work explores how present realities are shaped by the ever-shifting relationships between humans, nonhumans and the landscapes they haunt
From 2000: The artist had a Tate St Ives residency in 1998/99 when she worked from a temporary studio improvised in the lifeguard’s hut. Here, she recounts her experience
From 2012: Resonating throughout the exhibition is a belief that ideas ask for a physical form and that we always think with the help of the material world
