Inside
Andrea Fraser
The artist talks to J.J. Charlesworth about art, power and patronage after Donald Trump
Marina Warner in conversation with T.J. Clark
As both authors and academics publish their latest books, ArtReview asks them about what the role of art might be
Our Full Attention
With at least three concurrent shows of war photography on view in London, Oliver Basciano questions what it means to look at such imagery within the gallery
Playing with History: the new MK Gallery
The MK Gallery’s architect and director, along with one of the artists involved in its redesign and expansion, on turning a storied but out-of-the-way museum into a destination. Interview by Mark Rappolt
Tishan Hsu
Jeppe Ugelvig turns to the work of the Chinese-American artist, who spent the 1980s making uncanny paintings and sculptures that reimagined the body for the digital age
Also in this issue
Martin Herbert’s selection of must-see exhibitions this spring, in Setouchi, Paris, Malmö, New York, London, Humlebaek, Luxembourg, Hove, San Gimignano, Berlin
Yuji Agematsu talks to Ross Simonini about recording one’s environment, surviving as an artist in New York – and the work of percussionist Milford Graves
A Foreign Country: South East Indian Art (1961), by G.M. Butcher
ArtReview looks into its archive and finds a striking parallel to Britain’s current political moment in a review of South Asian artists from 1961
Plus…
Exhibitions from around the world including
Tracey Emin at White Cube Bermondsey, London, by Fi Churchman
Jessie Homer French at Mother’s Tankstation, Dublin, by Martin Herbert
Arthur Jafa at Galerie Rudolfinum, Prague, by Max Feldman
Nicolas Deshayes at Modern Art, London, by Louise Darblay
Anne Imhof at Tate Modern, London, by Alex Quicho
Projections NE Commissions, Tyneside Cinema, Newcastle upon Tyne, by Ben Eastham
Carey Young at Towner Art Gallery, Eastbourne, by J.J. Charlesworth
Anthea Hamilton at Thomas Dane, London, by J.J. Charlesworth
Rasmus Nilausen at Team Gallery, New York, by Scott Indrisek
Jeffrey Gibson at New Museum, New York, by Ben Eastham
Sarah Charlesworth at Paula Cooper Gallery, New York, by Megan Liberty
The 9th Asia Pacific Triennal of Contemporary Art at Queensland Art Gallery and Gallery of Modern Art, Brisbane, by Adeline Chia
And books including
Publishing Manifestos, edited by Michalis Pichler
Ai Weiwei: Beijing Photographs 1993–2003, by Ai Weiwei, Stephanie H. Tung and John Tancock
Im Heung-soon: Toward a Poetics of Opacity and Hauntology, edited by Helen Jungyeon Ku
Modern Art, by J.K. Huysmans