Each month in Art Lovers Movie Club, we select artists’ videos and screen them exclusively online at artreview.com. Explore all the films we have shown below.
2026
Hikaru Fujii, Southern Barbarian Screens, 2017: screening 15 January–12 February
Mary Helena Clark, Recital, 2024: screening 13 February–9 March
2025
Pejvak, Shokouk: A Cosmicomedy in Four Acts, 2023: screened 2–27 January
Valentina Alvarado Matos, Film Letters I-IV, 2020: screened 27 February–27 March
Margaret Salmon, Boy (winter), 2022: screened 1–30 April
Marwa Arsanios, Who Is Afraid Of Ideology? Part 4: Reverse Shot, 2022: screened 23 May–15 June
Mona Benyamin, Moonscape, 2020: screened 17 July–18 August
Oliva Erlanger, Appliance, 2024: screened 22 September–22 October
Mashinka Hakopian, ԲԱԺԱԿ ՆԱՅՈՂ / ONE WHO LOOKS AT THE CUP, 2024: screened 17 November–17 December 2025
2024
Jesse Chun, Tongues of Fire, 2023: screened 8–29 January
Julia Weist and Nestor Siré, Infomercial, 2017: 29 January–19 February
Dina Mimi, The melancholy of this useless afternoon: chapter II, 2023: 22 February–14 March
Max Göran, Nothing Runs Like a Deere, 2023: 15 March–11 April
Farzaneh Forouzesh, And her sleeve wet with tears, 2023: 15 April–10 May
Youqine Lefèvre, The Land of Promises, 2017-2020: 15 May–10 June
Andro Eradze, Raised in the dust, 2022: 24 June–29 July
Hiền Hoàng, Made in Rice, 2021: 1 August–6 September
Tamara Henderson, Green in the Grooves, 2021–2023: 12 September–3 October
Jala Wahid, I Love Ancient Baby, 2023: 7 October–4 November
Kamal Aljafari, UNDR, 2024: 12 November–9 December
Onyeka Igwe, The Miracle on George Green, 2022: 10–31 December
2023
Amie Siegel, Genealogies, 2016: screened 1–17 February
Chris Zhongtian Yuan, All Trace is Gone, No Clamour for A Kiss, 2021-22: 20 February–10 March
Zarouhie Abdalian, these are called holdings, 2023: 17 March–7 April
Larissa Sansour/Søren Lind, In Vitro, 2019: 13 April–1 May
John Smith, Citadel, 2020: 3 May–22 May
Alice Bucknell, Swamp City, 2021: 23 May–12 June
Bo Choy, War of Perception, 2020: 19 June–4 July
He Xiangyu, House of Nations, 2021: 13–28 July
Eimear Walshe, The Land Question: Where the fuck am I supposed to have sex?, 2020: 31 July–21 August
Gelare Khoshgozaran, To Keep The Mountain at Bay, 2023: 30 August–20 September
Nadim Choufi, The Sky Oscillates Between Eternity and Its Immediate Consequences, 2021: 20 September–13 October
Steve Bishop, The Caretaker, 2018: 16 October–6 November
Sasha Litvintseva and Beny Wagner, Constant, 2022: 6–27 November
Sara Cwynar, Glass Life, 2021: 27 November–18 December
Ofri Cnaani, Leaking Lands, 2022: 18 December–8 January
2022
Forensic Oceanography, Liquid Traces – The Left-to-die Boat Case, 2014: screened 9 February–2 March
Andrea Luka Zimmerman, Art Class, 2020: 3–17 March
Sooun Kim, Born Beneath, 2021: 18 March–8 April
Farideh Sakhaeifar, Halabja, 1988, 2018: 11 April–2 May
Vivian Caccuri & Gustavo von Ha, Vivian & Gustavo, 2020: 3–17 May
Luka Yuanyuan Yang, Tales of Chinatown: 23 May–13 June
Poulomi Basu & CJ Clarke, Fireflies, 2022: 21 June–12 July
Haig Aivazian, Prometheus, 2019: 13 July–3 August
Petra Szemán, Openings !!!, 2022: 3–24 August
Lawrence Lek, Sinofuturism (1839-2046 AD), 2016 (Updated 2022): 25 August–15 September
Alice Theobald, IL Y AURA (There will be), 2022: 28 September–19 October
Runo Lagomarsino, Europa Point, 2019: 20 October–9 November
Jia Zhangke, Dong, 2006: 10 November–1 December
Tanoa Sasraku, Whop, Cawbaby, 2018: 2–23 December
2021
Shen Xin, Provocation of a Nightingale #1, 2017: screened 15 January–8 February
Charwei Tsai, Hear Her Singing, 2017: 8 February–1 March
Gelare Khoshgozaran, Medina Wasl: Connecting Town, 2018, and Men of My Dreams, 2020: 2–23 March
Lu Yang, Delusional Mandala, 2015, Delusional Crime and Punishment, 2016, and Delusional World, 2020: 24 March–14 April
Xiaowen Zhu, Oriental Silk, 2015: 23 April–14 May
Alia Ali, Mahjar, 2020: 20 May–10 June
Chris Zhongtian Yuan, Wuhan Punk, 2020: 11 June–2 July
Alberta Whittle, HOLDING THE LINE: a refrain in two parts, 2021: 18 June–17 July
Maya Schweizer, Clemens von Wedemeyer, Metropolis. Report from China, 2004-06: 13 July–3 August
Chim↑Pom, Black of Death, 2013: 17 August–7 September
Richard Fung, Dirty Laundry, 1996: 8–30 September
Clarissa Tossin, Ch’u Mayaa, 2017: 1–22 October
Anand Patwardhan, Images you didn’t see, 2006: 22 October–12 November
Shannon Te Ao, What was or could be today (again), 2019: 12 November–3 December
2020
Luis Roque, Heaven, 2017: screened 18–25 March
Wong Ping, An Emo Nose, 2015: 26–31 March
Laure Prouvost, Shed A Light, 2018: 2–9 April
Alex Da Corte, TRUƎ LIFƎ and BAD LAND, 2017: 9–15 April
Stine Deja, 4K ZEN, 2017: 17–23 April
Daniel Steegmann Mangrané, Fog Dog, 2020: 24–30 April
Ivens Machado, Versus, 1974: 11–19 May
Roger Hiorns, BENIGN, 2005: 15–21 May
Jennet Thomas, ANIMAL CONDENSED>>ANIMAL EXPANDED#2, 2018: 5–12 June
Larry Achiampong, The Expulsion, 2019: 12-22 June
Shezad Dawood, Leviathan Cycle, 2017-18: 21 May–26 June
Heman Chong, Changi Airport Terminal 3 (Singapore Circuit Breaker Day 10, 16 April 2020) 4K 60 Binaural Walk 263, 2020: 26 June–3 July
Berwick Street Film Collective, Nightcleaners, 1975: 3–17 July
Tuan Andrew Nguyen, We Were Lost in Our Country, 2019: 17–31 July
Grace Schwindt, Only a Free Individual Can Create a Free Society, 2014: 7–21 August
Hayoun Kwon, 489 Years, 2016: 2–16 October
Tulapop Saenjaroen, People on Sunday, 2019: 16 October–2 November
Grada Kilomba, A World of Illusions, 2017-19: 4–25 November
