Claire Fontaine: How to Make Critique VisibleAlexander HardingArtReview16 October 2025In her new show, the artist has defaced Gustave Courbets and made Venn diagrams for understanding sexual violence. What is she trying to show us?
Rachel Rossin’s Theology of the MachineAlexander HardingArtReview25 June 2025In a cultural moment bloated with digital slop, Rossin’s AI-coauthored paintings probe something more unstable and searching
Sammy Baloji Seeks the Future That Never WasAlexander HardingArtReview08 January 2025Baloji’s densely research-based art questions if colonial histories can ever be left behind
