Lynette Yiadom Boakye’s Theatre of the SilentAlexander LeissleArtReview18 February 2025Yiadom-Boakye’s new paintings at Corvi-Mora explore a dialectic between expression and enigma
Gili Tal: Pretend It’s a CityAlexander LeissleArtReview17 January 2025‘The Cascades Plus’ at Cabinet, London abstracts our experience of urban environments, but its ephemerality conceals more sombre implications
Art Lovers Movie Club: Pejvak, ‘Shokouk: A Cosmicomedy in Four Acts’, 2023Alexander Leissleartreview.com03 January 2025Now Showing: In this time-collapsing tale of Soviet astronautics, the artist duo ask who space is really for
Saša Tkačenko’s Letter to LowAlexander Leissleartreview.com19 June 2024Tkačenko’s ‘I Could Live In Hope’ at Eugster, Belgrade remembers the slowcore band, and a past he can never retrieve
Joyce Joumaa: That Was Then and So Is NowAlexander LeissleArtReview10 June 2024In drawing out a seemingly bizarre historical immigrant experience, Lebanese artist Joyce Joumaa reminds us how little has changed today
Art Under a Thousand SunsAlexander LeissleArtReview02 May 2024From Fukushima to the primal body, Yoi Kawakubo and Nao Matsunaga’s ‘Time Capsule’ at Yamamoto Keiko Rochaix, London explores ways of making meaning beyond language
Venice Biennale 2024: A Guide to the ArsenaleAlexander Leissleartreview.com17 April 2024The Benin, Türkiye, Argentina and Philippines pavilions – reviewed
