‘It’s About Bringing People Together’: Sonia Boyce on Representing Britain at the 59th Venice BiennaleArtReviewartreview.com15 April 2022‘Hopefully it’s a journey for the visitor through different kinds of spaces across the Pavilion’
‘Is a New Beginning Possible?’ – Mariam Natroshvili and Detu Jincharadze on Representing Georgia at the 59th Venice BiennaleArtReviewartreview.com15 April 2022‘I Pity the Garden’ consists of two parts – a VR experience and an auto-generating video
An Architectural ‘Correction’: Ignasi Aballí on Representing Spain at the 59th Venice BiennaleArtReviewartreview.com15 April 2022The proposal for the pavilion consists of ‘correcting’ its architecture to align it with the neighbouring pavilions of Belgium and the Netherlands
Multitudes of Artistic Traditions: Tsherin Sherpa on Representing Nepal at the 59th Venice BiennaleArtReviewartreview.com15 April 2022The exhibition will stimulate sensorial experiences of the audience through sights, touch, smell and sounds
The Experience of a Concert: Latifa Echakhch on Representing Switzerland at the 59th Venice BiennaleArtReviewartreview.com15 April 2022‘It will be an exhibition that I worked on as if I was myself a musician, and not only a visual artist’
Sensations of Touch: Niamh O’Malley on Representing Ireland at the 59th Venice BiennaleArtReviewartreview.com15 April 2022‘There are hints at functional objects, familiar architectural structures and physical support systems’
Roger Ballen and Phumulani Ntuli on Representing South Africa at the 59th Venice BiennaleArtReviewartreview.com15 April 2022A space to reflect on seemingly different, but interrelated topics within the political foundations of African futures
