Amanda Ziemele on Representing Latvia at the 60th Venice BiennaleArtReviewartreview.com16 April 2024“I would rather perceive the nations as living organisms within a specific environment.”
Faith Ringgold, the artist whose quilts chronicled the Black experience, 1930–2024ArtReviewartreview.com15 April 2024From the very beginning her work was infused with the experience of civil and social unrest
Vlatka Horvat on Representing Croatia at the 60th Venice BiennaleArtReviewartreview.com15 April 2024“I don’t think of art – or anything else – as being universal.”
Yuko Mohri on Representing Japan at the 60th Venice BiennaleArtReviewartreview.com15 April 2024“If the Biennale is important, that’s because many people think so, isn’t it?”
Archie Moore on his Exhibition for the Australia Pavilion at the 60th Venice BiennaleArtReviewartreview.com13 April 2024“Can we ever know or understand each other? Will Indigenous and non-Indigenous people ever reconcile?”
Gülsün Karamustafa on Representing Türkiye at the 60th Venice BiennaleArtReviewartreview.com13 April 2024“In the last Biennale we came across incredible groups of women artists with whom we have not been acquainted with before, and with their works… we were stunned.”
Happy Robert, Naby, Haji Chilonga, Lute Mwakisopile and Enrico Bittoto on the First Tanzanian Pavilion at the 60th Venice BiennaleArtReviewartreview.com13 April 2024“If you want to kill a country, first you need to kill the culture.”
