Gala Porras-Kim: Are Museums for the Dead or the Living?Chris Fite-WassilakArtReview01 September 2025The artist offers a new vision of such spaces that leaves us wondering whether or not such an idea could ever become a reality
The ‘Unmyths’ of Mithu SenChris Fite-WassilakArtReview Asia28 July 2025The New Delhi-based artist rails against all kinds of myths and niceties: gender, class, nationality, science, good taste
Strange Pictures by Uketsu, ReviewedChris Fite-WassilakArtReview08 May 2025A whodunnit by the masked Japanese YouTuber seems keen to validate the keyboard brigade
Just Eat: The Artworld’s Strange Relationship With FoodChris Fite-WassilakArtReview24 April 2025Culinary experiences in the artworld are on the rise, but why does food need to be framed as ‘art’ in order to be considered something special?
A Ballet’s Grasp for RelevanceChris Fite-Wassilakartreview.com26 November 2024This is where the world ends: a rave in London’s Royal Opera House
Holly Herndon and Mat Dryhurst's Ghostly MachinesChris Fite-WassilakArtReview02 October 2024New work by the artists and musicians explores how artificial intelligence can remain part of a fundamentally humanist project
The Interview: Revital Cohen and Tuur Van BalenChris Fite-WassilakArtReview17 September 2024“The work often starts from an obsession with something; after that, we’ll make our way through associations that may shed light on a more emotional experience of it”
