Diego Marcon’s Hollow PeopleChris Fite-WassilakArtReview29 September 2023“In general when I work, it’s not like I’m looking for something and I find moles, it’s more like moles find me, they pop up. I don’t know why, I just try to remain open to these kinds of visit”
Attack of the WeebsChris Fite-WassilakArtReview03 July 2023A new book dissects the fast-growing fan culture surrounding the Japanese anime, manga and game industries
Kahlil Robert Irving: Excavating the Recent PastChris Fite-WassilakArtReview22 May 2023“I’m not necessarily interested in people always getting what it’s about”
Can Satire Make the Artworld Better?Chris Fite-WassilakArtReview15 May 2023Johanna Hedva’s Your Love Is Not Good takes aim at creative ambivalence, flimsy niceties and facile attempts to be political
Future Greats 2023: Eimear WalsheChris Fite-WassilakArtReview08 February 2023Selected by Chris Fite-Wassilak
Alan Moore’s Overlit ‘Illuminations’Chris Fite-WassilakArtReview16 January 2023There is no between-the-lines in this collection of nine stories
Jeffrey Gibson’s Indigenous FuturismChris Fite-WassilakArtReview06 October 2022In joyful, speculative work, the artist unpicks and repatterns mythologies around the depiction of native cultures
