8th Yokohama Triennale, ReviewedChris Fite-WassilakArtReview Asia19 June 2024The latest edition, ‘Wild Grass: Our Lives’, asks us to take a long – and earnest – view of land, time and organic matter
Butter by Asako Yuzuki Review: Chew the FatChris Fite-WassilakArtReview Asia25 March 2024Written in 2017, but newly published in English, Yuzuki’s novel is both whodunnit thriller and friendship novel with a culinary theme
Critical Discussions in AccraChris Fite-WassilakArtReview27 February 2024Artists in the capital are shaping visions for contemporary art and its institutions in Ghana and beyond
We Can’t Get Enough of Mike KelleyChris Fite-WassilakArtReview13 October 2023More than a decade after his death, the artist continues to unsettle, judge, mock and disappoint
Diego Marcon’s Hollow PeopleChris Fite-WassilakArtReview29 September 2023“In general when I work, it’s not like I’m looking for something and I find moles, it’s more like moles find me, they pop up. I don’t know why, I just try to remain open to these kinds of visit”
Attack of the WeebsChris Fite-WassilakArtReview03 July 2023A new book dissects the fast-growing fan culture surrounding the Japanese anime, manga and game industries
Kahlil Robert Irving: Excavating the Recent PastChris Fite-WassilakArtReview22 May 2023“I’m not necessarily interested in people always getting what it’s about”
