Cameron Rowland at Institute of Contemporary Arts, LondonChris Fite-WassilakArtReview01 March 2020Chris Fite-Wassilak unpicks the double bind in Cameron Rowland’s exhibition addressing the legacies of slavery in contemporary Britain – through 12 April
Who’s talking?Chris Fite-WassilakArtReview25 September 2019Chris Fite-Wassilak wonders whether the tendency for voiceovers in recent video art is a conscious response to the wider political climate
Let’s Get Cynical!Chris Fite-WassilakArtReview17 August 2018The American artists reinventing ‘enlightened false consciousness’
Give Up Art by Maria FuscoChris Fite-WassilakArtReview30 April 2018Reviewed by Chris Fite-Wassilak. Art criticism has no set...
Raša Todosijević: Siege of London 2097 at Handel Street Projects, LondonChris Fite-WassilakArtReview15 February 2018Apparently it all started with a gymful of Serbs at the...
Amitai Romm, selected by Chris Fite-WassilakChris Fite-WassilakArtReview12 February 20182018 Future Greats
