Phil Tippett’s Stop-Motion ‘Mad God’ Is a Tribute to a Fading CraftDarran Andersonartreview.com22 July 2022Tippett’s infernal new film, thirty years in the making, is the culmination of an aesthetic that has transformed cinema – but may well be left behind
The Art of Creative DestructionDarran Andersonartreview.com27 May 2022Tracing artists’s commitment to annihilation, from Man Ray to Cornelia Parker
The Rise and Fall of the Nakagin Capsule Tower (1972-2022)Darran Andersonartreview.com29 April 2022‘A retrofuturist relic of a utopia that never came to be’
Art Spiegelman’s ‘Maus’ Is Vital Because It Is TroublingDarran Andersonartreview.com08 February 2022It’s a loving heart-breaking portrait of a family afflicted by terror and tragedy, yet it’s told in a candid unsentimental way
‘Cowboy Bebop’ and the Problem with Remake CultureDarran Andersonartreview.com03 January 2022How Netflix’s reanimators mistook the essence of the original
The Beauty and Ruin of the Fabergé EggsDarran Andersonartreview.com15 December 2021The Romanov treasures continued to be crafted, even as their world collapsed around them
