Shezad Dawood’s Social and Biblical BeastsDavid TriggArtReview29 January 2024‘Leviathan’ at Salisbury Cathedral continues Dawood’s multidisciplinary project joining the dots between climate change, migration and mental health
Michael E. Smith: The Lights Are Off, but Someone Is HomeDavid TriggArtReview07 June 2023The American artist’s simple, seemingly half-installed sculptural interventions at Henry Moore Institute, Leeds are haunted by a spectral sense of absence
Joyfully Disjointed: ‘Mixing It Up: Painting Today’ – ReviewDavid TriggArtReview18 November 2021There’s no discernible theme to this exuberant multigenerational survey at London’s Hayward Gallery – just an exhibition boldly living up to its title
Soto. The Fourth Dimension at Guggenheim BilbaoDavid TriggArtReview20 December 2019David Trigg on the kinetics of the late-Venezuelan artist – through 9 February
On the edges of human experienceDavid TriggArtReview06 December 2018David Trigg on the videoworks of American artist Rachel Rose, now on view in Turin
