The ‘Shitshow’ of Documenta 14 Gets the Big Screen TreatmentDigby Warde-Aldamartreview.com08 May 2025We watched ‘Exergue’, Dimitris Athridis’s fourteen-hour documentary about the one that went wrong, so you don’t have to
Antonio Obá Has an Axe to GrindDigby Warde-AldamArtReview24 March 2025‘Festim da alma’ at Mendes Wood DM, Paris interrogates the marginalisation of Black culture in Brazil
Manifesta 15 Review: Art Becomes an AfterthoughtDigby Warde-AldamArtReview05 November 2024The latest iteration of the nomadic biennial, stretching across the entire Barcelona metropolitan area, is spread far too thin
Nick Goss’s Particularly British NostalgiaDigby Warde-AldamArtReview16 October 2024The artist’s paintings at Perrotin, Paris are less a literal articulation of place than a meditation on a state of insularity informed by historical memory
Dragon Hill X ArtReview Writers Residency: Digby Warde-AldamDigby Warde-Aldamartreview.com07 October 2024The third Dragon Hill X ArtReview Writers Residency text explores the ‘neolithic-utopian’ architecture of Jacques Couëlle
Sarah Rapson Being DifficultDigby Warde-AldamArtReview23 May 2024The artist’s works in ‘Mad in Pursuit’ at Modern Art, Paris challenge our expectations of industry standards
Eric Croes: Mix-n-MatchDigby Warde-AldamArtReview20 March 2024In ‘Comme un vieux tatouage’ at Almine Rech, Paris, Croes pursues a cheerful exploration of the cultural-historical connotations of ceramic art
