“I am very invested in that sociocosmic space, narrated by humans but woven out of animal agencies, deities, cosmic beings and potencies intervening in everyday reality”
The Mexico City museum’s display of works by Gallardo caused a storm in the city’s art scene; the aftermath told us all we need to know about art and censorship today
Hirst’s first ever retrospective in Mexico feels like a blockbuster from another time, before the artist became the puppet – and puppeteer – of millionaires and their institutions
