Kati Heck at Sadie Coles HQ, LondonJ.J. CharlesworthArtReview15 January 2018German-born, Antwerp-based Kati Heck’s first show with...
Liquid ValueJ.J. CharlesworthArtReview28 November 2017J.J. Charlesworth follows the fickle flow of cash through the art market
Will the Blockchain make art disappear?J.J. CharlesworthArtReview20 October 2017J.J. Charlesworth considers the implications of the first cryptocurrency art-trading platform
J.J. Charlesworth: Bad people can make good artJ.J. CharlesworthArtReview20 October 2017Post-Weinstein, J.J. Charlesworth examines the consequences...
Arthur Jafa A Series of Utterly Improbable, Yet Extraordinary RenditionsJ.J. CharlesworthArtReview11 October 2017J.J. Charlesworth finds an underlying pessimism in the artist’s inquiry into ‘black aesthetics’
Turner Prize 2017J.J. Charlesworth29 September 2017J.J Charlesworth argues that the annual prize is showing its age
Interview with Frances MorrisJ.J. Charlesworthartreview.com19 September 2017Tate Modern’s director discusses Brexit, the role of the museum and collecting the uncollectable
