One of the more unusual collateral exhibitions at this year’s Venice Biennale, The Rooted Nomad: M.F. Husain, might be a test case for what immersive art can and can’t do
The acclaimed British ‘weird fiction’ author Miéville has stepped in to spin off his take on Reeves’s unstoppable (but inevitably sensitive, world-weary and introspective) brand of killing machine
‘Angel with a Gun’ at Alison Jacques, London remembers the critic and curator in dialogue with the present artworld and its engagement with non-Western history
