60th Venice Biennale Review: Who Can Judge?J.J. Charlesworthartreview.com19 April 2024Adriano Pedrosa’s ‘Foreigners Everywhere’ wants art to speak for everyone, but it’s hard to know what it might actually say
What’s a Museum For?J.J. CharlesworthArtReview10 April 2024‘A Model’ at Mudam Luxembourg reflects on the politics of being a public art gallery
The Biennale at the End of GlobalisationJ.J. CharlesworthArtReview03 April 2024What’s next for the contemporary art biennial, now that the era of neoliberal globalisation that shaped it starts to unravel?
Andrew Black’s Nation of MemoryJ.J. CharlesworthArtReview02 April 2024‘On Clogger Lane’ at LUX, London memorialises and wards against forgetting a British past
Julian Spalding Argues for Art’s ValueJ.J. CharlesworthArtReview19 March 2024Spalding’s memoir, ‘Art Exposed’ conjures a period in British history when the public debate around visual art was hotly contested
‘Undiscovered’ by Gabriela Wiener Review: The Moral Stain of Your ForbearsJ.J. CharlesworthArtReview13 February 2024The Lima-born author and journalist writes about her ancestors in a memoir that is as much about desire as it is the bonds that form and make families
Pope. L: AfterlifeJ.J. CharlesworthArtReview01 February 2024The artist’s sudden death in late December now makes his work’s sculptural emphasis on human presence all the more charged
