Notes from New York: Art Critics and Gangster CapitalismJenny Wuartreview.com03 September 2025The state of art criticism today resembles a crisis of freedom, when one reality has been rejected but another has yet to be conceived
The Interview: Cauleen SmithJenny Wuartreview.com03 September 2025“I’ve come to think that maybe the archive as the site of discovery is a little bit over-articulated”
Notes from New York: The GardenJenny Wuartreview.com29 July 2025The idea of prehistory still seduces the artworld with its glinting, uncontroversial promise of a shared origin. Can it mean more than fantasy?
Stephanie Comilang: The Condition of the Diasporic SubjectJenny Wuartreview.com16 July 2025Amid travel bans and ICE raids, Comilang’s video installations at CARA, New York offer snapshots of migrants’ resilience
Notes from New York: Free SampleJenny Wuartreview.com07 July 2025Our critic goes for a cryogenic facial in a Lower East Side gallery
The Orientalist Fantasy of ChinoiserieJenny WuArtReview23 June 2025‘Monstrous Beauty’ at the Met proposes a link between Europeans’ attitudes towards Chinoiserie and their fetishisation of the East Asian female body
Salman Toor’s Night VisionJenny WuArtReview09 June 2025The artist depicts queer men of colour in genre scenes that are at once nostalgic and speculative
