Towards A World Of Reckless AbandonJenny WuArtReview23 September 2025An ambitious show at Sky High Farm stages beauty and despair in a backdrop of ecological uncertainty
How Kerry James Marshall Restored Black Figures to the Western CanonJenny WuArtReview18 September 2025The ‘Black is Beautiful’ movement; Velázquezian references; Sleeping Beauty – it’s all there in Marshall’s monumental painted worlds
Gaza Biennial 2025 Review: Defiance Amid DevastationJenny Wuartreview.com18 September 2025This New York Pavilion of the decentralised biennial functions as ‘a final call’
Notes from New York: Art Critics and Gangster CapitalismJenny Wuartreview.com03 September 2025The state of art criticism today resembles a crisis of freedom, when one reality has been rejected but another has yet to be conceived
The Interview: Cauleen SmithJenny Wuartreview.com03 September 2025“I’ve come to think that maybe the archive as the site of discovery is a little bit over-articulated”
Notes from New York: The GardenJenny Wuartreview.com29 July 2025The idea of prehistory still seduces the artworld with its glinting, uncontroversial promise of a shared origin. Can it mean more than fantasy?
Stephanie Comilang: The Condition of the Diasporic SubjectJenny Wuartreview.com16 July 2025Amid travel bans and ICE raids, Comilang’s video installations at CARA, New York offer snapshots of migrants’ resilience
