Notes from New York: Embrace the AnomalyJenny Wuartreview.com09 April 2025With their semi-covert political messaging, could Anne Imhof’s ‘Doom’ and Alexandra Tatarksy’s ‘Sad Boys’ act as a blueprint for future activist art?
Screen Memories of the Middle EastJenny WuArtReview08 April 2025A group exhibition in New York explores news coverage of the ‘War on Terror’, and its psychological impact on a whole generation
Notes from New York: A Second ChanceJenny Wuartreview.com05 March 2025Why faulty first impressions only tell half the story, and the beauty of never quite making up your mind
Sohrab Hura: Our Motherless AgeJenny WuArtReview12 February 2025At MoMA PS1, Hura explores the mother – or at least, his own – as a metaphor for social, political and economic safeguards
Notes from New York: All Together NowJenny Wuartreview.com04 February 2025How the recent tendency for ambiguous self-reflexivity is redrawing the lines of institutional critique
Mark Leckey’s New Dark WorldJenny WuArtReview31 January 2025In ‘3 Songs from the Liver’ at Gladstone Gallery, New York, the artist flirts with a religious turn
Plain Sight: How Do We Preserve Public Art?Jenny Wuartreview.com13 January 2025The afterlife of Scott Burton’s sculpture, Atrium Furnishment, now on show as part of a larger installation, stands in contrast to a world becoming increasingly hostile by design
