Salman Toor’s Night VisionJenny WuArtReview09 June 2025The artist depicts queer men of colour in genre scenes that are at once nostalgic and speculative
Notes from New York: Generic and PerfectJenny Wuartreview.com04 June 2025An exhibition made in the afterimage of Bernadette Corporation adopts ‘sloppiness’ as a brazen curatorial strategy that fails to coalesce
Amy Sherald’s American Sublime – Sacred and ProfaneJenny WuArtReview15 May 2025‘Ecclesia (The Meeting of Inheritance and Horizons)’ (2024) is at once spiritual and secular, a mélange of carefully constructed illusions
Notes from New York: Inside Out, Outside InJenny Wuartreview.com09 May 2025From the rise of ‘red-chip’ artists to exhibitions of underground comics, the values of the traditional artworld are being challenged and reshaped
Desert X 2025 Review: Morale FailureJenny WuArtReview06 May 2025The latest edition in Coachella Valley frames its largescale artistic commissions as social and emotional ‘service stations’
Notes from New York: Embrace the AnomalyJenny Wuartreview.com09 April 2025With their semi-covert political messaging, could Anne Imhof’s ‘Doom’ and Alexandra Tatarksy’s ‘Sad Boys’ act as a blueprint for future activist art?
Screen Memories of the Middle EastJenny WuArtReview08 April 2025A group exhibition in New York explores news coverage of the ‘War on Terror’, and its psychological impact on a whole generation
