Mark Rappolt is the Editor-in-Chief of ArtReview. He founded its sister publication, ArtReview Asia, in 2013. His writing has appeared in a number of publications, ranging from The Times and Die Zeit to i-D and Citizen K, and includes exhibition catalogues on artists such as Lee Bae, Matthew Krishanu, Ha Chong-Hyun, Bharti Kher, Wang Guangle, Yuko Mohri and Liu Xiaodong. Books include monographs on architects Greg Lynn and Frank Gehry. Between 2016 and 2018, with Aimee Lin, he curated Xiàn Chang, a special section of the West Bund Art & Design fair in Shanghai. Recent exhibitions include Like a Moth to a Flame (2017), cocurated with Tom Eccles and Liam Gillick, a two-part exhibition at the Fondazione Sandretto Re Rebaudengo and the OGR, Turin; Now or Never (2018) at Galerie Crone, Vienna; Sometimes You’re the Hammer; Sometimes You’re the Nail (2019) and Zhu Jia: Faraway Friends (2020) both at Modern Art Base, Shanghai; Before the Cockerel Crows (2021) and La Bella Estate (2025), cocurated with Tom Eccles and Liam Gillick at the Palazzo Re Rebaudengo, Guarene; the touring show Breaking the Waves (2021) at the chi K11 Art Museum, Shanghai and the K11 MUSEA, Hong Kong; and One Tiger or Another (2022), cocurated with Tom Eccles at Mathaf, Doha.
‘And All That Is In Between’ demonstrates that many of the aspects of global culture, or the way culture circulates globally, are not actually a new phenomenon of our ‘globalised’ times
