15th Gwangju Biennale Review: Disconcertingly VagueMark RappoltArtReview Asia04 November 2024The absence of context in a biennial whose stated aims quickly become lost in translation leaves far too many questions unanswered
Busan Biennale 2024 Review: Artistic Privilege Is Swept AsideMark RappoltArtReview Asia01 November 2024From acts of political solidarity to a refreshing self-awareness, ‘Seeing in the Dark’ achieves something remarkable
Permindar Kaur’s Chilling Yet Child-Friendly WorldMark RappoltArtReview28 October 2024The artist conjures cartoonish monsters under the bed in an exhibition that feels less nightmarish than disarmingly cuddly
The Interview: Mark BradfordMark RappoltArtReview Asia18 October 2024“If I have a certain amount of power and I’m able to create a platform for some young creative people who don’t feel that they have as much power or value, that’s a conversation I’m very interested in”
Homo Faber 2024: Ways of HoardingMark RappoltArtReview26 September 2024How to give order and meaning to an excess of stuff? This is the old-fashioned museum model at work
Hira Nabi: How to Talk to TreesMark RappoltArtReview Asia19 September 2024In works by the filmmaker Hira Nabi, nonhuman voices direct humans towards a radical shared consciousness
The Interview: Do Ho SuhMark RappoltArtReview Asia04 September 2024“We constantly change our built environments. We’re not just passively living in a space”
