Cay Bahnmiller’s Emotive EncrustationsMartin HerbertArtReview22 May 2023The late Michigan-born artist’s works are testaments to second (and third and fourth) thoughts – and abundant inner disquiet
Have We Reached the Endpoint of Revivalism?Martin Herbertartreview.com05 May 2023Art has long looked to the recent past for inspiration, but might the return of post-Internet art just be too much, too soon?
What Good Is a Paintbrush in the Climate Crisis?Martin HerbertArtReview03 May 2023The sunny allure of John Korner’s canvases depicting melting glaciers ultimately draws into question his choice of medium to convey the scale of the disaster
Isabel Nolan: Trying to Love an Awful WorldMartin HerbertArtReview19 April 2023“In our preoccupation with mediating the world, many arbitrary distinctions were drawn, and perhaps they were drawn a long time ago”
Yuri Ancarani Illuminates Our World’s Shadow SideMartin HerbertArtReview12 April 2023In a retrospective at Kunstverein Hannover, the artist’s moving-image feature films all articulately reveal an unvarnished reality
Chuck D’s Visual AutobiographyMartin HerbertArtReview13 March 2023in ‘Livin’ Loud’ by Chuck D, drawn and painted works reveals the rapper's tender and nostalgic world
Is the Artworld Too Nice?Martin Herbertartreview.com27 February 2023Why the lack of upset over negative reviews – and the corresponding infrequency of art critics ‘getting dachshunded’ – might actually be a problem
