Tomo Savić-Gecan’s Quiet, Extreme Reconsideration of ArtmakingMartin HerbertArtReview20 April 2022If you’re hoping for a glimpse of the Croatian artist’s work at the 59th Venice Biennale – look anywhere but the Croatian Pavilion
All In It Together? A Guide to Artworld FriendshipsMartin Herbertartreview.com19 April 2022Contemporary art runs on a cocktail of fuels: alcohol, bullshit and bonhomie
Maria Eichhorn: Art Against Commodity FetishismMartin HerbertArtReview13 April 2022What will an artist known for confounding expectations bring to the loaded symbolism of the German Pavilion at the Venice Biennale?
What’s the Point of the Venice Biennale?Martin Herbertartreview.com30 March 2022As the artworld prepares to jet off to La Serenissima, Martin Herbert wonders who it’s really all for
Paul Fägerskiöld Contemplates the Future of Starry NightsMartin HerbertArtReview08 March 2022At Galerie Nordenhake, Berlin, the artist has based his paintings on computer projections of night skies in 2100
When Critics Use ‘I’Martin Herbertartreview.com21 January 2022Or why the first-person exhibition review hit the mainstream
How Lawrence Weiner (1942–2021) Reimagined What Art Could BeMartin Herbertartreview.com10 December 2021The renowned American conceptual artist was fundamental in decoupling art from objecthood, asserting that the idea was enough
