Max Crosbie-Jones

Max Crosbie-Jones is Contributing Editor at ArtReview Asia

How Thailand Became a Refuge for Displaced Myanmar Creatives

Max Crosbie-JonesArtReview Asia13 December 2024

Artists at risk back home are finding solace and relative safety in Thailand’s remote corners and art communities

Bangkok Art Biennale 2024 Review: What, Exactly, Is Being Nurtured?

Max Crosbie-Jonesartreview.com06 December 2024

In ‘Nurture Gaia’, the glamour of the global overrides the lure of the local

Choi Jeong Hwa, Breathing, 2018-2024. Waterproof fabric and motor. Dimensions variable. Photo by centralwOrld

Ways of Living

Max Crosbie-JonesArtReview Asia18 November 2024

A new show at Storage, Bangkok takes a range of subaltern, diasporic and postcolonial perspectives on home and belonging

What a Long-Banned Film Reveals About Thailand’s Political Agenda

Max Crosbie-JonesArtReview Asia03 October 2024

There’s more than meets the eye in ‘Shakespeare Must Die’. Max Crosbie-Jones unpicks the saga of the Thai film in light of a longstanding ban being overturned this year

How Photography Tells Lies

Max Crosbie-JonesArtReview Asia02 October 2024

From AI-generated ‘promptography’ to dreamy sci-fi images, what constitutes truth when it comes to photography today?

James Prapaithong: How to Paint Emptiness

Max Crosbie-JonesArtReview Asia29 August 2024

Inspired by Cézanne and Ozu, the artist’s smallscale works are masterstrokes in economy and ellipsis

Gone Walking (While Kicking a Stone for 900km)

Max Crosbie-JonesArtReview Asia22 August 2024

How Chinese artist Cheng Xinhao explores his home province’s history, culture and psychogeography through long-distance foot journeys and related ‘performative madness’