Max Crosbie-Jones

Max Crosbie-Jones is Contributing Editor at ArtReview Asia

The Lofty Ambitions of Thailand’s New Art Forest

Max Crosbie-JonesArtReview Asia27 March 2025

It’s fun to frolic amid art and nature in Thailand’s newly opened Khao Yai Art Forest, but it might yet take some time for this utopic enterprise to bloom

How Thailand Became a Refuge for Displaced Myanmar Creatives

Max Crosbie-JonesArtReview Asia13 December 2024

Artists at risk back home are finding solace and relative safety in Thailand’s remote corners and art communities

Bangkok Art Biennale 2024 Review: What, Exactly, Is Being Nurtured?

Max Crosbie-Jonesartreview.com06 December 2024

In ‘Nurture Gaia’, the glamour of the global overrides the lure of the local

Choi Jeong Hwa, Breathing, 2018-2024. Waterproof fabric and motor. Dimensions variable. Photo by centralwOrld

Ways of Living

Max Crosbie-JonesArtReview Asia18 November 2024

A new show at Storage, Bangkok takes a range of subaltern, diasporic and postcolonial perspectives on home and belonging

What a Long-Banned Film Reveals About Thailand’s Political Agenda

Max Crosbie-JonesArtReview Asia03 October 2024

There’s more than meets the eye in ‘Shakespeare Must Die’. Max Crosbie-Jones unpicks the saga of the Thai film in light of a longstanding ban being overturned this year

How Photography Tells Lies

Max Crosbie-JonesArtReview Asia02 October 2024

From AI-generated ‘promptography’ to dreamy sci-fi images, what constitutes truth when it comes to photography today?

James Prapaithong: How to Paint Emptiness

Max Crosbie-JonesArtReview Asia29 August 2024

Inspired by Cézanne and Ozu, the artist’s smallscale works are masterstrokes in economy and ellipsis