Your Problem Is My ProblemMax Crosbie-JonesArtReview Asia23 July 2024‘Living Another Future’ at MAIIAM, Chiang Mai explores how land and people can be betrayed by the narratives told for them
‘The Death of Death’: Inside Korakrit Arunanondchai’s World After the FireMax Crosbie-Jonesartreview.com17 July 2024At Bangkok Kunsthalle the artist addresses a burning planet, stuck in cycles of renewal and decay. Can art help us find order in it all?
Marisa Srijunpleang’s Flower of LoveMax Crosbie-JonesArtReview27 June 2024‘Blooms With The Wind Blows’ at Hub of Photography, Bangkok takes an autoethnographic view of the natural world
‘The Understory’ by Saneh Sangsuk Review: Tall TalesMax Crosbie-JonesArtReview Asia01 May 2024Sangsuk’s latest novel is part parable, part paean to the ‘forest ethics’ and natural world of the author’s youth
Right Where They Have Always BeenMax Crosbie-JonesArtReview Asia04 April 2024Why aren’t the literary scenes of Southeast Asia getting more regional and global traction?
Thailand Biennale 2023 Review: Syncretic SpiritMax Crosbie-JonesArtReview Asia20 March 2024The third edition, ‘The Open World’ in Chiang Rai, explores how sites of social, spiritual or museological significance are meaningfully disturbed
The Razzle-Dazzle Art of Chalermchai KositpipatMax Crosbie-JonesArtReview Asia30 November 2023In the runup to Thailand Biennale in Chiang Rai, Max Crosbie-Jones pauses to consider the origins of one native son’s staggering cultural power
