Som Supaparinya’s Ode to Thailand’s Changing WaterwaysMax Crosbie-JonesArtReview Asia19 June 2023The Thai artist’s work captures resilience and activism along the Mekong, contending with the country’s entanglement of power and ecology
Kamin Lertchaiprasert: The Road to a ‘Spiritual Aesthetics’Max Crosbie-JonesArtReview Asia20 April 2023Looking back on the artist’s life’s work which has come to draw from Buddhism, quantum mechanics, environmentalism and Asian arts & crafts
‘I Don’t Think Anybody Can Write on Behalf of Somebody Else’Max Crosbie-JonesArtReview17 February 2023Araya Rasdjarmrearnsook’s new book plumbs the space between word and image – via postmodernism, macho artists, and Thailand’s ‘Art for Life’
The Zany, Something-For-All Appeal of the Thai Film ArchiveMax Crosbie-JonesArtReview Asia17 January 2023The twisted history of one of Thailand’s most generous and eclectic institutions
Let Orawan Arunrak Be Your GuideMax Crosbie-JonesArtReview15 December 2022The artist’s sojourns and social engagements prompt slow considerations of fast lives, finding selfhood amid movement
‘Ghost:2565’ Review: The Spectre of Something BetterMax Crosbie-Jonesartreview.com09 December 2022‘Live without Dead Time’ looks for revivification and mobilisation against a pervasive, endless, all-encompassing sense of cynicism
Thasnai Sethaseree’s Uncontainable FormsMax Crosbie-JonesArtReview Asia18 October 2022‘Cold War: the mysterious’ at MAIIAM, Chiang Mai attempts to capture the felt plebeian texture of Thai political history
