Future Greats 2025: Marina WoiskyOliver BascianoArtReview30 January 2025‘Woisky’s sculptural zoo enacts a disconcerting interplay between reproduction and reality, mediated image and tactile object’
Lucas Simões’s Exquisite Corpse of Creative InfluencesOliver BascianoArtReview27 January 2025In ‘you text nothing like you look’, the artist crafts a series of love letters to the authors and musicians who have inspired him
An Art Critic Goes to the RodeoOliver BascianoArtReview21 January 2025Uniform, merchandise, alcohol, nationalism – these are the real markers of a ritual gathering
The Monstrous Susan SontagOliver Bascianoartreview.com08 January 2025Rude, high-handed and unashamedly intellectual. Twenty years on from her death, what would the world think of Sontag today?
The Interview: Josèfa NtjamOliver BascianoArtReview04 December 2024“Afrofuturism has become a kind of label or a contemporary art aesthetic”
Cisco Merel’s Eternally Evolving IdentityOliver BascianoArtReview23 October 2024Merel’s exhibition suggests that art has always provided a way of working out who we are
‘The Haunted Wood: A History of Childhood Reading’ by Sam Leith, ReviewedOliver BascianoArtReview23 September 2024Our definitions of childhood and children’s literature are inevitably entwined
