The Interview: Josèfa NtjamOliver BascianoArtReview04 December 2024“Afrofuturism has become a kind of label or a contemporary art aesthetic”
Cisco Merel’s Eternally Evolving IdentityOliver BascianoArtReview23 October 2024Merel’s exhibition suggests that art has always provided a way of working out who we are
‘The Haunted Wood: A History of Childhood Reading’ by Sam Leith, ReviewedOliver BascianoArtReview23 September 2024Our definitions of childhood and children’s literature are inevitably entwined
Pietrina Checcacci’s Ecofeminist VistaOliver BascianoArtReview16 September 2024In ‘Tactics of the body’ at Galatea, São Paulo, the human form takes the appearance of a sort of sublime geography
Remembering José Francisco Borges’s Literatura de CordelOliver BascianoArtReview09 September 2024Will the death of São Paulo’s most celebrated exponent lead to the demise of a once-popular vernacular artform?
How to Steal From the British Museum: A Brazilian Artist’s GuideOliver Bascianoartreview.com16 July 2024As part of an exhibition, Ilê Sartuzi removed a coin from the London institution’s display
Seeing British Working-Class Photography AnewOliver BascianoArtReview03 June 2024A new show at Herbert Art Gallery & Museum, Coventry showcases a British working class transformed by first-, second- and third-generation immigration
