Telling the Story of the Cinta LargaOliver BascianoArtReview17 March 2025‘When We Sold God’s Eye’ by Alex Cuadros is an unsentimental, vital report of how ‘civilised’ society disrupts Indigenous life
Future Greats 2025: Marina WoiskyOliver BascianoArtReview30 January 2025‘Woisky’s sculptural zoo enacts a disconcerting interplay between reproduction and reality, mediated image and tactile object’
Lucas Simões’s Exquisite Corpse of Creative InfluencesOliver BascianoArtReview27 January 2025In ‘you text nothing like you look’, the artist crafts a series of love letters to the authors and musicians who have inspired him
An Art Critic Goes to the RodeoOliver BascianoArtReview21 January 2025Uniform, merchandise, alcohol, nationalism – these are the real markers of a ritual gathering
The Monstrous Susan SontagOliver Bascianoartreview.com08 January 2025Rude, high-handed and unashamedly intellectual. Twenty years on from her death, what would the world think of Sontag today?
The Interview: Josèfa NtjamOliver BascianoArtReview04 December 2024“Afrofuturism has become a kind of label or a contemporary art aesthetic”
Cisco Merel’s Eternally Evolving IdentityOliver BascianoArtReview23 October 2024Merel’s exhibition suggests that art has always provided a way of working out who we are
