How to Steal From the British Museum: A Brazilian Artist’s GuideOliver Bascianoartreview.com16 July 2024As part of an exhibition, Ilê Sartuzi removed a coin from the London institution’s display
Seeing British Working-Class Photography AnewOliver BascianoArtReview03 June 2024A new show at Herbert Art Gallery & Museum, Coventry showcases a British working class transformed by first-, second- and third-generation immigration
‘Paêbirú’: Art After the Godfathers of Brazilian PsychedeliaOliver BascianoArtReview09 May 2024A new group show at Espaço Delirium, São Paulo follows the trip Lula Côrtes and Zé Ramalho made along the Ingá River to explore knowledge, how it can accumulate and how it can be lost
In the Shadows of the Dutch MastersOliver BascianoArtReview26 October 2023Delving into the so-called Golden Age of Dutch art, Benjamin Moser’s ‘The Upside-Down World’ is a treatise on artistic and worldly ambition
The Fallacy of Arranging Art by Geographical FocusOliver BascianoArtReview06 October 2023Phaidon’s ‘Latin American Artists: From 1785’ to Now leaves much to be desired
Art Encounters Biennial 2023 Review: Against DoomismOliver BascianoArtReview26 September 2023The latest edition, ‘My Rhino is Not a Myth: art science fictions’, asks us to imagine the possibilities of transhumanism and posthumanism
