Josh Kline’s Disconcerting Vision of America’s Future Feels All Too RealOwen DuffyArtReview22 June 2023The artist levels an ominous critique at middle-class America that feels less science-fictional than rational
What’s the Worst Painting of All Time?Owen DuffyArtReview07 December 2022In an artworld age of uber-slick production values, Robert Nava offers an important, necessary return to the form of the ‘bad’
How Can We Be Better Attuned to Others’ Suffering?Owen DuffyArtReview12 October 2022‘Black Melancholia’ mines the blues – literally and metaphorically – to examine the haunting wounds of the past
Margrét H. Blöndal: Against the Overproduced ArtworldOwen DuffyArtReview02 September 2022‘Liðamót / Ode to Join’ at National Gallery of Iceland favours sparseness, depending on and highlighting the gallery’s architecture for suggestion
Hearts, Glitter and Coins: Fernanda Laguna’s Artistic Love LettersOwen DuffyArtReview17 May 2022Paintings and collages at The Drawing Center in New York brim with honest feeling
Hugh Hayden’s ‘Boogey Men’: Art that Breaks the SkinOwen DuffyArtReview21 March 2022The artist tempts viewers with the reveal, but never discloses who, or what, exactly, is under the hood
Christopher K. Ho at The Bronx Museum of the Arts, New YorkOwen DuffyArtReview17 December 2018through 6 January
