How to Divest from the WestRahel Aimaartreview.com08 December 2023The year in art: 2023 was more politics than art
On the Maturation of the Riyadh Art SceneRahel AimaArtReview Asia30 March 2023An ‘earnest buddy comedy’ of an institution is a welcome addition among a flurry of development in the regional capital’s burgeoning scene
Magic and Artifice: Desert X AlUla 2022Rahel AimaArtReview26 May 2022Rahel Aima unearths ancient scripts and thermodynamic sea creatures in one of the Arabian Peninsula’s oldest cities
Can Gen-Z’s Khaleejiness Escape Institutionalisation In The Gulf?Rahel AimaArtReview Asia14 December 2021A photo exhibition brings together the work of twelve young artists on the subject of the Khaleeji identity today
A Subtle Metaphor for Dubai: ‘The Distance from Here’, ReviewedRahel AimaArtReview Asia06 December 2021A group show at Jameel Arts Centre reflects on liminal spaces and in-betweens in a city shaped by migration and displacement
‘Growing Like A Tree’ at Ishara Art Foundation, Dubai – ReviewRahel AimaArtReview Asia11 August 2021A group show brings together 14 artists and collectives from across South and Southeast Asia to consider image-making and community, and image-making in community
‘To My Ancestors, Human and Not Human’: the Art of Ayman ZedaniRahel AimaArtReview Asia21 July 2021Zedani’s works eschew the palette and timbre of Gulf Futurism to instead consider the future of the Gulf
