Amy Sillman’s Alternate SidesQingyuan DengReviewsArtReviewJanuary 28, 2026Can painting achieve new forms of fluidity once it subjects free association to self-imposed restrictions?
Rethinking Institutional Trust in Istanbul’s Art EcosystemKaya GençOpinionJanuary 28, 2026As Istanbul’s cultural establishments continue to battle reputational issues, Kaya Genç advocates for greater accountability amid the country’s growing illiberalism
On the Production of Black Cultural ValueClive Chijioke NwonkaOpinionArtReviewJanuary 27, 2026What is gained and what is lost when contemporary art institutions attempt to define and legitimise Black culture?
My Barbarian: Camp Cats and Go-go DancingLouis BuryReviewsJanuary 27, 2026At New York’s Lubov, the quirky performance trio draw on Cartomantic tarot to respond to an ambient sense of polycrisis
Tarek Atoui to create next Tate Modern Turbine Hall commissionArtReviewNewsartreview.comJanuary 27, 2026The commission will be on view 13 October 206 until 11 April 2027
Courtauld to open two new galleries for contemporary artArtReviewNewsartreview.comJanuary 27, 2026The galleries are expected to open in 2029 following a £10m gift from the Blavatnik Family Foundation
In Conversation: Olafur Eliasson, Vignesh Sundaresan (Metakovan) and Mark Rappolt, Presented by PadimaiArtReviewLive Eventsartreview.comJanuary 27, 2026Singapore’s newest experimental art-and-tech platform Padimai presents a talk between Olafur Eliasson, Vignesh Sundaresan (Metakovan) and Mark Rappolt
How Do You Visualise The Supernatural?Lydia Eliza TrailReviewsArtReviewJanuary 26, 2026An exhibition at Kunstmuseum Basel frames the ghost as a ‘call to attention’ that interrupts temporal continuity
Seyni Awa Camara, Senegalese sculptor whose work mined mythology, 1945–2026ArtReviewNewsartreview.comJanuary 26, 2026The Sengalese artist, who worked in ceramics, has died aged 81
Connie Zheng’s New Maps for New TerritoriesMax Crosbie-JonesFeaturesArtReview AsiaJanuary 26, 2026The artist’s speculative, research-driven tools challenge received narratives of migration, labour and environmental history
