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Hito Steyerl’s ‘Conservative’ TurnJ.J. CharlesworthReviewsArtReviewDecember 19, 2025In the artist’s new exhibition, Steyerl continues to lead the pushback against AI slop and digital individualism
Chingiz Aidarov, Kyrgyz artist and ‘nabeg’ pioneer, 1984–2025Tyler Coburn, Marat Raiymkulov and Malika UmarovaNewsartreview.comDecember 19, 2025He developed a performance practice called ‘nabeg’ comprising incursions or ‘invasions’ in public space
Introducing PODO MuseumArtReviewPartner Contentartreview.comDecember 19, 2025Set within the mountainous landscape of Hallasan, PODO Museum has become one of Jeju Island’s most distinctive cultural sites
Building From the Bottom-UpMahdi SabbaghThe Year in Reviewartreview.comDecember 19, 2025The year in architecture: In 2025, the disjuncture between material reality and architectural coloniser fantasies became impossible to avoid
Shitty Cakes, Endless CrimeLucy MercerThe Year in Reviewartreview.comDecember 18, 2025The year in reading: In 2025, small presses in the UK stood up against a dominant culture of dumbing down and selling out
CHANEL and Power Station of Art Launch Espace Gabrielle ChanelArtReviewPartnership with Chanel Arts and Cultureartreview.comDecember 18, 2025ArtReview spoke to some of the key figures behind the new Espace Gabrielle Chanel, a new library, archive and performance space
Rub It Better ‘Til It BleedsHannah ProctorThe Year in Reviewartreview.comDecember 17, 2025The Year in Mental Health: From the datafication of therapy to the ‘crisis’ of overdiagnosis, it seemed everyone in 2025 was doing just fine
Copenhagen to launch art triennialArtReviewNewsartreview.comDecember 17, 2025Its first edition will be held in 2027
Worrying the Seams of HistoryTyler CoburnFeaturesArtReview AsiaDecember 17, 2025Three Japanese artists look to the past to find our imperialist present
ArtReview Asia Winter 2025 Issue Out NowArtReview AsiaPreviewsArtReview AsiaDecember 17, 2025Featuring Hikaru Fujii, Yu Araki and Tatsuma Takeda; ruangrupa; Connie Zheng; Aichi Triennale; and more
