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Eugenio Viola leaves MAMBO alleging ‘deterioration of working conditions’ArtReviewNewsartreview.comFebruary 16, 2026Colombian museum paid tribute to artistic director
Munch Triennale Review: The Unreality of Contemporary ArtAlexander LeissleReviewsArtReviewFebruary 16, 2026The Munch Museum in Oslo’s second edition seeks to understand our era’s loosening grip on reality, whatever that means, no less looks like
Wuthering Heights and the Aesthetics of SurfaceRosanna McLaughlinOpinionartreview.comFebruary 16, 2026Did anyone expect Emerald Fennell’s much-hyped Brontë adaptation to be... boring?
Arundhati Roy and Wim Wenders clash at the 2026 BerlinaleArtReviewNewsartreview.comFebruary 16, 2026Jury president Wim Wenders said that filmmakers ‘have to stay out of politics'
Henrike Naumann, representing Germany at 2026 Venice Biennale, 1984–2026ArtReviewNewsartreview.comFebruary 16, 2026Her work delved into politics of conflict and history
What Can We Learn From the Supported Studio?Richard PhoenixOpinionArtReviewFebruary 16, 2026Turner Prize-winning artist Nnena Kalu makes her work in a supported studio. What kind of artworld might emerge from such setups?
ArtReview Podcast | Episode 1: Dana AwartaniArtReviewPodcastartreview.comFebruary 13, 2026For episode one of the new ArtReview Podcast, artist Dana Awartani speaks to ArtReview editor-in-chief Mark Rappolt.
Art Lovers Movie Club: Mary Helena Clark, ‘Recital’, 2024Alexander LeissleArt Lovers Movie Clubartreview.comFebruary 13, 2026The New York artist makes herself as vulnerable as can be, exposing her organs in the cold light of the screen
Leda Bourgogne Opens UpRamona HeinleinReviewsArtReviewFebruary 13, 2026Where painting has historically offered the possibility of entrance, via representation, into another world, Bourgogne’s occupy the threshold between inside and outside
Art Lovers Movie Club: The ArchiveArtReviewArt Lovers Movie Clubartreview.comFebruary 13, 2026Explore all the films we have screened
