Controlled Explosions: Critiquing Mike Nelson’s Unpopulated WorldsHannah ProctorOpinionartreview.com17 July 2025Nelson’s ‘Humpty Dumpty’ once more explores themes of construction and destruction. How many times can he mine this world?
Art Lovers Movie Club: The ArchiveArtReviewArt Lovers Movie Clubartreview.com17 July 2025Explore all the films we have screened
Art Lovers Movie Club: Mona Benyamin, ‘Moonscape’, 2020Louise BensonArt Lovers Movie Clubartreview.com17 July 2025The Palestinian artist and filmmaker’s surreal investigation of the Lunar Embassy has plenty to say about earth and the limitations we place upon it
David Cronenberg: Grieving in the Digital AgeJames VincentOpinionartreview.com16 July 2025In his latest film ‘The Shrouds’, characters can livestream their loved ones rotting in the grave. Is this a new monumentalism?
Stephanie Comilang: The Condition of the Diasporic SubjectJenny WuReviewsartreview.com16 July 2025Amid travel bans and ICE raids, Comilang’s video installations at CARA, New York offer snapshots of migrants’ resilience
2026 Venice Biennale pavilions: your go-to list [Updated]ArtReviewNewsartreview.com16 July 2025The latest announcement: Bruno Birmanis and Mareunrol's will represent Latvia
Winners of 2025 Praemium Imperiale Awards announcedArtReviewNewsartreview.com15 July 2025Each laureate will receive an honorarium of 15 million yen
Are They Truly Willing to Trade Earth for This?Max Crosbie-JonesReviewsArtReview Asia15 July 2025Exploring the late philosopher Bruno Latour’s concept of ‘landing’, a group show in Bangkok explores cross-border journeys, from land to the lunar
The Real Ghost in the ShellJamie SutcliffeFeaturesArtReview Asia15 July 2025Is Masamune Shirow one of the most influential artists you don’t know?
Yuji Takeoka’s Duchampian LogicToby ReynoldsReviewsArtReview Asia14 July 2025If art can be made by its placement on the gallery pedestal, so too shouldn’t the pedestal be art?
