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David Cronenberg: Grieving in the Digital AgeJames VincentOpinionartreview.com16 July 2025In his latest film ‘The Shrouds’, characters can livestream their loved ones rotting in the grave. Is this a new monumentalism?
Stephanie Comilang: The Condition of the Diasporic SubjectJenny WuReviewsartreview.com16 July 2025Amid travel bans and ICE raids, Comilang’s video installations at CARA, New York offer snapshots of migrants’ resilience
2026 Venice Biennale pavilions: your go-to list [Updated]ArtReviewNewsartreview.com16 July 2025The latest announcement: Bruno Birmanis and Mareunrol's will represent Latvia
Winners of 2025 Praemium Imperiale Awards announcedArtReviewNewsartreview.com15 July 2025Each laureate will receive an honorarium of 15 million yen
Are They Truly Willing to Trade Earth for This?Max Crosbie-JonesReviewsArtReview Asia15 July 2025Exploring the late philosopher Bruno Latour’s concept of ‘landing’, a group show in Bangkok explores cross-border journeys, from land to the lunar
The Real Ghost in the ShellJamie SutcliffeFeaturesArtReview Asia15 July 2025Is Masamune Shirow one of the most influential artists you don’t know?
Yuji Takeoka’s Duchampian LogicToby ReynoldsReviewsArtReview Asia14 July 2025If art can be made by its placement on the gallery pedestal, so too shouldn’t the pedestal be art?
After IconoclasmJ.J. CharlesworthBook ReviewsArtReview14 July 2025‘Every Monument Will Fall’, says Dan Hicks in his new book, but what comes next?
To Kill a Film about a War MachineFinn BlytheOpinionartreview.com11 July 2025The UK government ban on a documentary following Palestine Action transformed the film into a living symbol of state overreach
The Palestinian Films Speaking Truth to ViolenceAkshi SinghOpinionartreview.com11 July 2025Can documentary cinema intervene in preventing the repetition of past injustices?
