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The 13 Exhibitions to See in October 2026ArtReviewPreviewsartreview.comOctober 5, 2026Our editors on the exhibitions they’re looking forward to around the world this month – from London and Paris to Tokyo and Tunis
Why Paulo Pedro Leal Belongs in Brazilian Art HistoryMateus NunesReviewsArtReviewOctober 5, 2026Leal’s absence from the narrative is difficult to reconcile with the force of his paintings, enlivening knife-fights and bar-brawls with a remarkable formal sophistication
Artists announced for 2026 Lagos BiennialArtReviewNewsartreview.comOctober 5, 2026The biennial, titled ‘The Museum of Things Unseen’ is curated by Furen Dai, Chinyere Obieze and Sam Hopkins
Laila Majid and Louis Blue Newby’s Feed LogicAlexander HardingReviewsartreview.comOctober 2, 2026‘Bizarre Life’ asserts that an image can surrender its photographic identity while retaining an iconographic power
Does ‘Hope’ Mean Anything at All?Beatrice LoayzaOpinionartreview.comOctober 1, 2026It’s sometimes hard to know where Na Hong-jin’s monster movie, reportedly the most expensive Korean movie ever made, is going – other than on and on
Strange England: When Beryl Cook Went to Bicester VillageOwen HatherleyOpinionartreview.comOctober 1, 2026Staging the artist’s sculptures in the UK’s late-capitalist haven tells Owen Hatherley plenty about the various false aesthetics of ‘Englishness’
What Happened to Hackney Wick?Clive Chijioke NwonkaFeaturesArtReviewOctober 1, 2026It’s not just the earth that’s being turned over in the redeveloping London’s ‘creative quarter’
Mary McIntyre and Robert Anderson’s Found Image FandomJohn Christopher VaughanReviewsArtReviewOctober 1, 2026Through restagings and reconstitutions of Mike Kelley’s past performances, the artists question our relationship with images and reality
Pattani Biennale 2026 Review: A Hopeful AftertasteMax Crosbie-JonesReviewsArtReview AsiaOctober 1, 2026The exhibition is at its best when work evokes the minutiae and anguish of emotional, embodied, everyday struggles
Yuko Mohri: How to Love Broken ThingsAlexander LeissleReviewsartreview.comOctober 1, 2026The Japanese artist’s symphony of decomposing matter and broken things offers a poetic reflection on the disjointed state of modern life