Pierre Terjanian appointed director of Museum of Fine Arts, BostonArtReviewNewsartreview.com11 April 2025Terjanian previously oversaw the conservation of the museum’s collection of more than 500,000 objects
What Does Feelgood Art Look Like?Louise BensonOpinionartreview.com11 April 2025Like a cigarette, ‘feelgood’ art is contrary, anachronistic and fleeting in its pleasure
2026 Venice Biennale pavilions: your go-to list [Updated]ArtReviewNewsartreview.com11 April 2025The latest announcement: Eglė Budvytytė will represent Lithuania
How to Find Vietnam’s Art SceneLorenza PignattiOpinionArtReview Asia11 April 2025You’re not going to find a lot if you look via traditional Western markers
Joydeb Roaja: Lasting ImagesMunem WasifFeaturesArtReview Asia11 April 2025How one of Bangladesh’s best-known Indigenous artists fuses politics, childhood memories and personal anecdotes to make powerful and provocative works
Max Kozloff, critic who documented move beyond formalism, 1933–2025ArtReviewNewsartreview.com11 April 2025Kozloff witnessed the turn from modern art to conceptualism during his years as a critic
Hong Kong Museum of Art to oversee city’s 2026 Venice Biennale exhibitionArtReviewNewsartreview.com10 April 2025The decision was made by the government-appointed Hong Kong Arts Development Council
Jong Oh’s LightmotifsMark PietersonReviewsArtReview Asia10 April 2025The artist’s works at Timothy Hawkinson Gallery, Los Angeles find something lyrical in the simple manipulation of space
Christine Sun Kim’s Idioms of SilenceMaddie HamptonReviewsArtReview10 April 2025‘All Day All Night’ at the Whitney offers a recalibration of our relationship with sound and language
Stellenbosch Triennale 2025 Review: Call and ResponseChaze MatakalaReviewsArtReview10 April 2025‘BA’ZINZILE: A Rehearsal for Breathing’ explores African conceptions of nonlinear time
