182 Venice Biennale participants sign letter demanding exclusion of Israel from 2026 exhibitionArtReviewNewsartreview.comMarch 17, 2026The letter states that the demand ‘responds to the appeal issued by Palestinian civil society to challenge the normalisation of Israeli apartheid and occupation within international cultural platforms’
Para Site appoints new executive directorArtReviewNewsartreview.comMarch 17, 2026James Taylor-Foster will take on the role from Billy Tang who departed last year
Michael Clark’s Controlled MovementsEddy GibbReviewsartreview.comMarch 17, 2026Michael Clark’s Satie Studs, performed by Jules Cunningham, revels in the precision of movement
Maja Malou Lyse on Representing Denmark at the 61st Venice BiennaleArtReviewVenice Biennale 2026artreview.comMarch 17, 2026“I can’t wait to strut through the labyrinth streets of Venice in stilettos with my best friends and just let loose a little”
Pi Li appointed founding director of Shenzhen’s Róng Museum, set to open 2027ArtReviewNewsartreview.comMarch 17, 2026The museum is slated to open in the second half of 2027
Trevor Paglen named winner of the 2026 LG Guggenheim AwardArtReviewNewsartreview.comMarch 17, 2026Paglen will receive an unrestricted cash prize of $100,000
The Many Separations of Jürgen Habermas (1929–2026)John-Baptiste OduorOpinionartreview.comMarch 17, 2026The late German philosopher grappled with a modern world increasingly divided in two
Angus, Thongs and Imperfect StagingKyle MacNeillOpinionartreview.comMarch 16, 2026The collective have spared the titular animal of Our Cow Angus from being turned into hamburgers and handbags. Ethics aside, the stunt fell flat
Tuwaiq Sculpture 2026 presented by Riyadh ArtArtReviewPartner Contentartreview.comMarch 16, 2026Ahead of this year’s edition of Tuwaiq Sculpture, ArtReview talks to Sarah Alruwayti, director of Tuwaiq Sculpture Symposium
Jürgen Habermas, philosopher famed for and within the public sphere, 1929–2026ArtReviewNewsartreview.comMarch 16, 2026Known for ‘The Structural Transformation of the Public Sphere’
