Paul Simon Richards’s new videowork will premiere at Spike Island as part of his solo show, Quasi-Monte Carlo, running form 6 April to 16 June 2019. Find out more ShareTweet
Heather Gerken announced as new president of the Ford FoundationArtReviewNewsartreview.com02 July 2025Gerken will take over the role from Darren Walker, who announced his resignation in July last year
The 10 Exhibitions to See in July 2025ArtReviewPreviewsartreview.com02 July 2025Our editors on the exhibitions they’re looking forward to this month, from Rencontres d’Arles to a Michael Haneke retrospective
Khaled Sabsabi reinstated to Australia Pavilion at 2026 Venice BiennaleArtReviewNewsartreview.com02 July 2025Dramatic reversal of Creative Australia‘s previous cancellation follows outcry among international creative community
ArtReview Asia Summer 2025 Issue Out NowArtReview AsiaPreviewsArtReview Asia02 July 2025Featuring Shilpa Gupta, Shimabuku, Bachtiar Siagian; commentary on China’s zombie museums, and legacies of the Black Panther Movement; and much more
How Shilpa Gupta Reinterprets Lines of ControlMark RappoltFeaturesArtReview Asia02 July 2025Artists like to think they’re pushing boundaries, but in reality, transgression gets punished more than applauded – which is Gupta’s foremost subject
Peter Phillips, pioneer of British Pop art, 1939–2025ArtReviewNewsartreview.com01 July 2025The artist trained at the Royal College of Art with contemporaries David Hockney, Allen Jones and R.B. Kitaj
Lee Kit’s Idea of ‘Porn’Declan LongReviewsArtReview Asia01 July 2025Visitors to the artist’s latest show will have found anything but – perhaps that’s the point
More Picasso, More UneaseStephanie BaileyReviewsArtReview Asia30 June 2025Is it still possible to present Picasso and avoid the obvious criticisms?
Hélio Menezes sacked from São Paulo’s Museu Afro BrasilArtReviewNewsartreview.com30 June 2025Curator and anthropologist was 17 months into position
Are Sleep Token Really ‘Metal’?Keith Kahn-HarrisOpinionartreview.com30 June 2025And given how innovation works in culture today, does it even matter if they are?