‘Ray’s a Laugh’ by Richard Billingham Review: Home TruthsFi ChurchmanArtReview07 May 2024Billingham’s photographic series of his father is a starkly intimate, bordering on claustrophobic, portrayal of family life
The Weary Mao YanFi ChurchmanArtReview Asia02 April 2024The artist’s ‘New Paintings’ at Pace, London trade in ennui and tranquility, to varying degrees of success
Douglas Gordon: Bad Is GoodFi ChurchmanArtReview12 March 2024‘All I need is a little bit of everything’ at Gagosian, London follows three decades of work suffused with existential angst
The Indefinable Mount FujiFi ChurchmanArtReview28 February 2024There’s something unknowable about Takashi Homma’s photographs, as if caught in the seconds between being awake and falling asleep
‘Feeling OK’Fi ChurchmanArtReview02 February 2024Works in ‘The Reactor’ at The Sunday Painter, London quietly suggest the psycho-emotional and physical fragments of grief
‘The Premonition’ by Banana Yoshimoto Review: Shine Especially BrightFi ChurchmanArtReview30 January 2024In Yoshimoto’s short crystalline narratives, anomalous characters find themselves having to navigate ordinary Japanese society and its expectations
