The Weary Mao YanFi ChurchmanArtReview Asia02 April 2024The artist’s ‘New Paintings’ at Pace, London trade in ennui and tranquility, to varying degrees of success
Douglas Gordon: Bad Is GoodFi ChurchmanArtReview12 March 2024‘All I need is a little bit of everything’ at Gagosian, London follows three decades of work suffused with existential angst
The Indefinable Mount FujiFi ChurchmanArtReview28 February 2024There’s something unknowable about Takashi Homma’s photographs, as if caught in the seconds between being awake and falling asleep
‘Feeling OK’Fi ChurchmanArtReview02 February 2024Works in ‘The Reactor’ at The Sunday Painter, London quietly suggest the psycho-emotional and physical fragments of grief
‘The Premonition’ by Banana Yoshimoto Review: Shine Especially BrightFi ChurchmanArtReview30 January 2024In Yoshimoto’s short crystalline narratives, anomalous characters find themselves having to navigate ordinary Japanese society and its expectations
Lucy Raven’s Shadowgram LimboFi ChurchmanArtReview18 October 2023‘Socorro!’ is as much an exercise in understanding what images depict as it is interrogating our impulse to decipher the unknown