Tyler Mitchell At The ThresholdFi ChurchmanArtReview06 October 2022The artist’s photographs chart reconciliation, resistance and double-consciousness in their vision of a new idyll
Cautionary Tales of Capitalism: Bora Chung’s ‘Cursed Bunny’ – ReviewFi ChurchmanArtReview Asia02 August 2022These short stories blend the genres of magical realism, horror, fantasy and folklore
Michael Oppitz: Chronicler of Magic and the Everyday in the HimalayaFi ChurchmanArtReview Asia26 July 2022‘Shamans of the Blind Country’ captures a culture where the everyday and the extraordinary merge
Lawrence Lek Tests the Limits of ConsciousnessFi ChurchmanArtReview Asia12 July 2022Fi Churchman speaks to the multimedia artist about deontology, disembodied intelligence and existential suffering in his work
Justine Kurland Takes a Knife to the Male ArtworldFi ChurchmanArtReview08 July 2022In recompiling her library of male photobooks by cutting their works beyond recognition into collages, Kurland creates something like catharsis
Eat ’n’ Mess: Will Boris Johnson Get His Just Desserts?Fi ChurchmanArtReview25 April 2022While the cost of living soars, Britain’s PM continues to eat his cake
Venice Biennale 2022: Three Pavilions To See in the ArsenaleFi Churchmanartreview.com22 April 2022The Latvian, New Zealand and Malta pavilions – reviewed
