Notes on the Gallery as Military HangarNathalie Olahartreview.com21 February 2024A reencounter with the work of Fiona Banner prompts a reassessment of art institutions as political fields of hegemonic control
Stephen Willats: Artwork as Social ModelNathalie OlahArtReview16 January 2024The British conceptual artist reaches out to the community to find a new visual language
The Problems of Class and Representation in ArtNathalie OlahArtReview06 November 2023If there is a class consciousness in art, then it is to be found in work that urges us to not just look
The Final Lessons of Janet MalcolmNathalie Olahartreview.com06 March 2023The late author’s posthumous collection ‘Still Pictures’ reveals the anxiety and acuity of a writer’s life – and questions the very act of its telling
The Lessons of Nan Goldin’s Struggle Against the SacklersNathalie Olahartreview.com26 October 2022Laura Poitras’s documentary portrait ‘All the beauty and the bloodshed’ reminds us of what is at stake in the artworld’s complicity in laundering reputations
How Paula Rego (1935-2022) Took the Patriarchal Artworld by StormNathalie Olahartreview.com13 June 2022The late artist forged a new vernacular of a muscular, radical femininity