Christopher Nolan’s adaptation goes for modern psychology over textual ‘fidelity’, eschewing not just the silliness of toga-clad deities perched in the heavens, says Beatrice Loayza, but the itchiness of dogmatic truths
A shockingly revisionist script; questionably sourced funding; backing from the US MAGA faction – and all building up to Brazil’s October elections. Euan Marshall tries to take this thing seriously
