In Chinatown, a new ‘jailscraper’ project includes retail space and art galleries for the general public, accomplishing – as farce – the abolitionist goal of making carcerality disappear
Christopher Nolan’s adaptation goes for modern psychology over textual ‘fidelity’, eschewing not just the silliness of toga-clad deities perched in the heavens, says Beatrice Loayza, but the itchiness of dogmatic truths
