Omer Fast: Remainder (2016)

ArtReviewVideoNovember 22, 2016artreview.com

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Read our feature on the Berlin-based artist and filmmaker

22 June 2016

Racheal Crowther: Smells Like Military-Industrial Complex

Sonja TeszlerReviewsArtReviewJune 9, 2026

A multisensory exhibition at Chisenhale Gallery reveals how systems of care are entangled within state, corporate and military infrastructure

Oriol Vilanova on Representing Spain at the 61st Venice Biennale

ArtReviewVenice Biennale: Artist Q&Asartreview.comJune 9, 2026

“I don’t think the Venice Biennale itself is, or has been, the important thing”

Eglė Budvytytė on Representing Lithuania at the 61st Venice Biennale

ArtReviewVenice Biennale: Artist Q&Asartreview.comJune 9, 2026

“The Biennale continues to hold a certain appeal – although obviously not for everybody – even if its ethics have crumbled”

Three Artists and a Curator on Representing Malta at the 61st Venice Biennale

ArtReviewVenice Biennale: Artist Q&Asartreview.comJune 9, 2026

“Ultimately there is a tension between participation in the Biennale as an exercise in soft power, and it being a space to produce and show contemporary art; the two do not sit well together”

RojoNegro on Representing Mexico at the 61st Venice Biennale

ArtReviewVenice Biennale: Artist Q&Asartreview.comJune 9, 2026

“We have a historical debt to all Indigenous peoples who protect resources and ecosystems”

Event: Jayden Ali and Simone Brewster, Off the Record

ArtReviewLive Eventsartreview.comJune 8, 2026

Join ArtReview and Ursula on Tuesday 9 June for a conversation with Jayden Ali and Simone Brewster

Tone Hansen appointed director of Moderna Museet

ArtReviewNewsartreview.comJune 8, 2026

Hansen has been director of MUNCH in Oslo since 2022

What Drives the Enduring Popularity of Nancy Holt?

Jenny WuOpinionArtReviewJune 8, 2026

In the desert, Jenny Wu finds an example of art’s tunnel vision

Philippe Vergne appointed artistic director and chief curator of The Bass

ArtReviewNewsartreview.comJune 5, 2026

The position has been newly created at a transformative time for the museum

Nabil Nahas on Representing Lebanon at the 61st Venice Biennale

ArtReviewVenice Biennale: Artist Q&Asartreview.comJune 5, 2026

“Lebanon is often perceived through simplified images: sometimes as an extension of the West within the Middle East, sometimes as a place defined by conflict. But in reality it exists somewhere in between these projections”

Nabil Nahas standing with his arms spread out in front of his work